Menswear Red Carpet Roundup
Here is a roundup of the menswear looks which have graced the red carpet this week.
The Devil Wears Prada 2 London Premiere
Stanley Tucci, being in London, naturally wore one of our most revered menswear labels in Paul Smith, delivering exactly what you would expect from him: a sharply cut pinstripe suit that just oozes authority. The look was elevated with his signature finishing touches – sleek sunglasses, a neatly folded pocket square, and polished shoes that reinforced his effortless precision.
Michael LA Premiere
Kelvin Harrison Jr., forever aligned with Prada, offered a subtle shift from classic black in this rich brown suit. I’m still not team brown suit with black lapels and tie in principle, but the look is refined and modern.
Styled by Michael Fisher.
A satin suit is a very hard sell, but Larenz Tate keeping this suit relatively crease-free deserves praise alone. The actor certainly has the personality to pull this look off. Those lapels might just be the widest I have ever seen.
Kendrick Sampson had his moment in the spotlight wearing a Sergio Hudson Spring 2026 teal suit. The designer’s tailoring is impeccable, as we know, but his use of colour is always the highlight, along with that silk shirt.
Styled by Bryon Javar.
Laureus World Sports Awards 2026
Gucci brand ambassador Jannik Sinner wore a custom Gucci single-breasted tuxedo that was sleek, minimal, and focused on fit and classic tailoring codes.
Lorenzo Musetti wore Bottega Veneta, also representing his brand with a look that leaned into the house’s understated tailoring, but I am starting to see that the trouser-length issue we saw countless times on Jacob Elordi might not be an isolated problem.
The Devil Wears Prada 2 New York Premiere
Velvet for Spring? Apparently it’s en vogue, but we are not complaining when Stanley Tucci wore another impeccably tailored suit to the New York premiere, proving once again that consistency is his strongest style asset.
John Krasinski wore a dunhill dark-brown velvet Bourdon double-breasted tuxedo, styled with a Bvlgari brooch, Bvlgari Octo Roma timepiece, and Stuart Weitzman Callum Derby shoes. The richness of the velvet is hard not to admire, and I love how he complemented his wife, Emily Blunt, in her Schiaparelli Haute Couture gown.
Styled by Ilaria Urbinati.
Patrick Brammall kept things classic in a tuxedo, yet relaxed, opting out of wearing a tie. Instead, he accented his look with a Jean Schlumberger by Tiffany & Co. Nest brooch. It’s a subtle addition, but one that adds personality.
Kenneth Branagh wore a Brioni sky-blue Iride suit, offering a welcome shift from the sea of darker tailoring. The softer tone feels fresh. I just wish he had travelled like Anne Hathaway to the venue by bus instead of a car.
Justin Theroux wore Prada, and, honestly, I am kind of lost for words. Prada’s menswear tailoring never fails, but I find this so unflattering on him.
Calum Harper wore AMIRI, bringing a younger, more fashion-forward energy to the lineup. The soft ivory pinstripe suit reads fresh against the sea of darker tailoring, but it’s the styling that really shifts the tone. That blush-pink shirt adds a playful contrast, while the feather-embellished tie feels like a deliberate curveball – textural and a little eccentric. The look lands on the right side of fashion risk.
Styled by Adam Ballheim.
Brad Goreski wore Saint Laurent, fully leaning into the house’s Spring 2026 high-gloss aesthetic, right down to the tie tucked into the placket. Brad is usually Mr Classic Tailoring, so this was a confident shift. You may remember that Gwendoline Christie wore the same trench coat, but she broke up the runway look to make it her own.
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