Celebrities at the ‘Wuthering Heights’ LA Premiere

Here is a roundup from the rest of the attendees at the Wuthering Heights LA premiere, where they joined leading actors Margot Robbie and Jacob Elordi, alongside Charli XCX, who contributes original music to the film.

Surreal Structure

I love seeing Hong Chau step outside her perceived comfort zone and into something with this much personality. This Thom Browne Fall 2025 look is unapologetically theatrical, and while it may not scream Wuthering Heights at first glance, the surreal proportions and strict house codes feel right at home on a red carpet that was all about the drama.

The reveal at the back, where yellow and white layered tulle spills from a satin bow, is the moment that seals it. This is a look designed to be read from every angle. Chopard jewels completed her look.

Styled by Jaz Gandhi & Sarah Edmiston.

Gothic Romance, Dialled All The Way Up

Some might argue that we have seen this Wiederhoeft Spring 2024 silhouette many times before, but there is no denying how well it suits the dark romanticism of this story. On Cara Delevingne, the corseted structure and dramatic neckline feel completely aligned with the film’s gothic intensity.

The jewellery continues the narrative, while the Jimmy Choo Afia mesh pumps are a smart finishing touch.  This lands as one of my favourite Cara moments in recent memory.

Lucy Hale wore this dress to the Fashion Trust U.S. Awards 2024 and Jackie Tohn wore it to the InStyle Imagemaker Awards 2025.

Sculptural Drama

Emerald Fennell leaned into drama in a custom Armani Privé silk satin jacket, with a sculptural peplum accented by red iridescent fabric that cleverly echoes Margot Robbie’s colour story. The mood is sharp, and suitably cinematic.

The jewellery elevates the look, but the side slit disrupts the line and pulls focus away from the jacket’s strongest features. Even so, the intent is clear, and the overall impact remains striking.

Bleak, Brooding, and On Theme

Shazad Latif instantly commanded attention in a Maison Margiela Work-In-Progress double-breasted coat. The coat’s unfinished tailoring and somber palette echo the film’s sense of emotional fracture and unresolved tension. A simple but perfect fit.

So Close

Had Alison Oliver’s Dior Pre-Fall 2026 dress been rendered in black, with the tulle reworked in red, the impact would have been far stronger. The silhouette has potential, but the current colour story softens what should feel more emotionally charged. As it stands, it feels restrained for a premiere this steeped in intensity. But that might have a lot to do with my bias towards the colour grey. Tiffany & Co. jewels completed her look.

FTC Disclaimer: Keep in mind that I may receive commissions when you click links and make purchases. However, this does not impact my reviews.