‘Fuori’ Cannes Film Festival Premiere Red Carpet Roundup

While Naomi Campbell gave us her grand reinvention moment at the Cannes Film Festival premiere of Fuori, there were other stars who embraced the midnight glamour brief with flair.

When your necklace and neckline start fighting and no one wins

Valeria Golino opted for a dark pink velvet Dior gown, and the texture alone felt deeply luxe and worthy of a moonlit Cannes carpet. The embroidered neckline added a touch of refinement, but her choice to pair it with Pomellato’s Planetario High Jewellery necklace confused the balance. With a neckline that intricate, adding such a bold necklace felt like an overbooking situation. The two elements didn’t quite gel, and it left me wondering if the gown might’ve shone brighter solo.

When your stylist deserves a standing ovation for a smooth Prada moment

Elodie, meanwhile, wore a Prada column dress that nailed the fit—no awkward dents or bunching in sight, which, let’s be honest, is a minor miracle given Prada’s often uncooperative hemlines. Whoever tailored this, give them a raise. What really elevated the look was the black plumetis tulle lace yoke, which added a romantic gothic flair without straying from that signature sleekness. This might just be the best Prada look we’ve seen at Cannes this year.

When straps create more questions than answers

Matilda De Angelis stepped out in an embellished, long-sleeve Fendi dress that sparkled beautifully, but also sparked a moment of confusion. At first glance I questioned, “why didn’t she wear a strapless bra, as the straps felt out of sync with the otherwise sleek design.

But a peek at the open back revealed she wasn’t wearing a bra at all, making those “straps” part of the actual dress. It’s a curious choice, but one that still couldn’t distract from how stunning she looked overall.

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