
Rachel McAdams rocks an edgy gothic-glam look for her editorial in New York Times’ latest issue of
T Magazine.
My favourite pictures from her editorial are the ones were she is wearing Balmain and Versace. The Lanvin dress may look like a bin liner, but she makes it look better than it did on the runway.
The Canadian actress is currently promoting her latest film, The Lucky Ones which revolves around three soldiers who return from the Iraq War after suffering injuries and learn that life has moved on without them.
Here are extracts from her interview:
On becoming an actress: “When you live in a small town in the middle of Ontario, it would have been too big of a dream to say that you want to go to Hollywood. But, secretly, I think I always knew. When I was young, I was a figure skater, and every year there was an ice carnival. I lived for the carnival. That’s when the actress in me first came out. I loved the costumes and the sparkles. One year, I got to play Marilyn Monroe on ice. I danced to ‘Diamonds Are a Girl’s Best Friend.’ I wore a long blond wig and a red dress with sequins. It was heavenly.”
On working at McDonald’s: “I had a small-town life — I worked at the local McDonald’s for three years. I’m not sure why they kept me: I am something of a daydreamer and a dawdler, so they would only let me be the ‘friendly voice’ that greeted you when you entered the restaurant. I was slow — I would be organizing the sweet-and-sour packets in the customer’s takeout bag while the line snaked out the door. Even at a fast-food restaurant, I wanted everything just so.”
On kissing scenes: “They’re strange. A kiss with anyone, on or off camera, can be intimidating. I’ve been kissing for nearly two decades now, and I’m always convinced I’m not doing it right. Chemistry is so important in a great kiss. You can act your way through anything, but it’s hard with a kiss. It’s much better if there’s an attraction.”
On the number of movies she makes: “I don’t like to work all the time. When I’m working, the rest of my life slips away. I press pause on everything, and then, when I’m done working, I get back to the world I’m trying to interpret in the movies. I have a split personality — I love being completely immersed in my nonworking life, but I am equally compelled by the lives of the characters I play. If you want to tell stories as truthfully as possible, you have to have a normal, boring existence. Otherwise, you’ll never understand the greatness of the everyday.”



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